The American landscape painter Thomas Cole, born in 1801, has been called an “environmentalist before there was environmentalism.” Cole, who was born in England, loved the wild, vast beauty of the United States, and he was alarmed by its destruction under the self-righteous philosophy of Manifest Destiny, which claimed that God intended white European Americans to subdue the land with industry and development. In his most famous painting, The Oxbow, Cole portrays dense wilderness on the left side of the canvas and neatly laid agricultural plots on the right, for to him, proper tending of the land was key to maintaining the right human relationship with nature.
Another proto-environmental artist was expressing concern about the destruction of natural beauty almost two thousand years before Cole painted his perspectives.
The Roman poet Horace (65-8 BCE) made no secret of his distress over the loss of the Roman wilderness and farm fields to development:
Huge palaces will soon leave few acres
for the plough. On every side fishpools
broader than the Lucrine lake
will meet the eye and bachelor plane
will push out the elm. Then myrtles and beds of violet
and everything the nose could desire
will then sprinkle perfumes where the old farmer
had his fertile olive groves.
….
This is not what was prescribed by the auspices
taken by Romulus and bearded Cato
The way Horace saw it, the Romans of his day had lived in a place the gods themselves had blessed; now the gods were apparently either indifferent to or aligned with the drive of rapacious humans.
Both artists created art with a cause, and their cause was respect for the natural world, which they felt their society was losing and without which that society could not survive. It makes you wonder: what kind of art will our grandchildren create to mourn the loss of their nature? And who will be making such art in another two thousand years?
Trebbe is the author of The World Is a Waiting Lover and 101 Ways to Make Guerrilla Beauty. Her new book, Radical Joy for Hard Times: Finding Meaning and Making Beauty, will be published in Fall 2018 by North Atlantic Books. Her articles about people’s emotional and spiritual relationship with nature have appeared in Orion, Sierra, Ecopsychology, The Ecologist, The Nation, Harper’s and other magazines. She lives with her husband, Andrew Gardner, in rural northeastern Pennsylvania, a region currently under exploitation by natural gas companies.
MORE RADICAL JOY REVEALED
How Is It Possible to Love a Hurt Place?
Shortly after meeting in Cazenovia, New York in 2009 to design our new organization, Radical Joy for Hard Times founding member Noah Crowe experimented with the practice we’d devised to find and make beauty in [...]
How to Fill a Hole
What do you do with a big hole? Do you negotiate around it? Do you figure it’s beyond repair and try to ignore it? Or do you take the RadJoy approach and fill the hole [...]
Reimagining the Unimaginable
Author and educator Joanna Macy has taught that there are three positive ways of dealing with a difficult situation: 1. Fight to save what matters 2. Work to create new, positive alternatives 3. Change consciousness Sometimes, if we’re [...]