Ancient Environmentalism

The American landscape painter Thomas Cole, born in 1801, has been called an “environmentalist before there was environmentalism.” Cole, who was born in England, loved the wild, vast beauty of the United States, and he was alarmed by its destruction under the self-righteous philosophy of Manifest Destiny, which claimed that God intended white European Americans to subdue the land with industry and development. In his most famous painting, The Oxbow, Cole portrays dense wilderness on the left side of the canvas and neatly laid agricultural plots on the right, for to him, proper tending of the land was key to maintaining the right human relationship with nature.
Another proto-environmental artist was expressing concern about the destruction of natural beauty almost two thousand years before Cole painted his perspectives.
The Roman poet Horace (65-8 BCE) made no secret of his distress over the loss of the Roman wilderness and farm fields to development:
Huge palaces will soon leave few acres
for the plough. On every side fishpools
broader than the Lucrine lake
will meet the eye and bachelor plane
will push out the elm. Then myrtles and beds of violet
and everything the nose could desire
will then sprinkle perfumes where the old farmer
had his fertile olive groves.
This is not what was prescribed by the auspices
taken by Romulus and bearded Cato
The way Horace saw it, the Romans of his day had lived in a place the gods themselves had blessed; now the gods were apparently either indifferent to or aligned with the drive of rapacious humans.
Both artists created art with a cause, and their cause was respect for the natural world, which they felt their society was losing and without which that society could not survive. It makes you wonder: what kind of art will our grandchildren create to mourn the loss of their nature? And who will be making such art in another two thousand years?

Trebbe Johnson
Trebbe JohnsonFounder
Trebbe is the author of The World Is a Waiting Lover and 101 Ways to Make Guerrilla Beauty. Her new book, Radical Joy for Hard Times: Finding Meaning and Making Beauty, will be published in Fall 2018 by North Atlantic Books. Her articles about people’s emotional and spiritual relationship with nature have appeared in Orion, Sierra, Ecopsychology, The Ecologist, The Nation, Harper’s and other magazines. She lives with her husband, Andrew Gardner, in rural northeastern Pennsylvania, a region currently under exploitation by natural gas companies.


  • Sunyu Kim QKrrfTi Ikw Unsplash


This blog usually features stories about finding and making beauty in the hurt places of the Earth. But sometimes the hurt places are in us humans-and nature, both spoiled and splendid, can offer gifts of [...]

  • IMG 2282

A More Permanent Gift of Beauty

Usually, the kind of beauty or art that we make in Radical Joy for Hard Times practices is ephemeral, spontaneous, and not meant to last. We create it out of materials we find at a [...]

  • IMG 0198

Giving Voice to Heart

When we approach a damaged place for the first time, we often feel anxious. We worry that our grief about what has happened to this river, this wetland, this old neighborhood will be so overwhelming [...]

More Revealed



Radical Joy Revealed is a weekly message of inspiration about finding and making beauty in wounded places.

This website uses cookies and third party services. See our Terms of Service and Privacy Policy for more information. Settings Ok

Google Analytics

We use Google Analytics to track your path through our website. To assist in protecting your privacy, we anonymize the last 4 of the IP address.

Tracking Cookies

To monitor and help enhance your visit while on the website.

Host Accounts

We offer a individuals private member access as Hosts when they register. We offer Host newsletters and the ability to manage Earth Exchange Events & Stories that Hosts will author and help manage. We ask for basic information from Hosts to join. We additionally ask the Host to provide detailed information about their events and preparations. This includes images and narratives about their event and any Stories told about the Exchange Events hosted.